UVA Alumna Turns From Stage to Screen to Print With Debut Novel

Jacquie Walters never thought she would be a writer.

When she graduated from the University of Virginia and headed to Hollywood, she had every intention of being an actor. But when she became frustrated with the audition process, she thought of the people she admired.

“A lot of them were famous female comedians, like (fellow UVA alumna) Tina Fey and Amy Poehler, and they all started as writers,” Walters said. “Then it was like a light bulb went off in my head.”

Now, Walters is an Emmy-nominated screenwriter and the author of “Dearest,” her debut horror novel about a new mother who welcomes her estranged mother into her home.

But before her writing career took off, she was an undergraduate student at the University, acting in plays with the Department of Drama and living on the Lawn during her fourth year.

On Grounds

When Walters, a Virginia Beach native, applied to college, she knew she didn’t want a conservatory, though she knew she wanted to be an actor. As a high school student, she toured nine schools in eight days with her family. She knew as soon as she stepped on Grounds she wanted to attend UVA.

“It was just that feeling. I genuinely fell in love with it,” Walters said. 

Walters – pictured here at Final Exercises with then-University President Teresa A. Sullivan

Walters – pictured here at Final Exercises with then-University President Teresa A. Sullivan – is a self-described “poster child” for UVA. (Contributed photo)

UVA sweetened the deal, offering her the opportunity to be an Echols Scholar, which allowed her to design her own major and take courses ranging from biological psychology to playwriting (Walters designed a major in film and drama).

“That helped, too, because you have UVA saying, ‘We value you and we want you to come here and have academic freedom and take whatever classes you want,’ as opposed to other schools that were saying ‘OK, make sure you pick 13 backups for all your classes, because you probably won't get into your first choices.’”

Upon arriving at UVA, Walters became a self-described “poster child” for the University, becoming a resident adviser, an orientation leader and a Lawnie during her four years. She took classes, including one on stage fighting, that enhanced her acting skills and proved valuable when she developed characters as a screenwriter. She also designed a course with associate drama professor Doug Grissom, examining plays that had been adapted into movies and trying her hand at adapting Grissom’s stage play, “So Careless,” into a screenplay. 

For her fourth-year thesis, Walters wrote, directed and performed a one-woman show about a young girl who made up stories to entertain and comfort herself. The characters were derived from the plays of Tennessee Williams, a writer with whom Walters became fascinated after performing “The Glass Menagerie” earlier in her time at UVA. She worked closely with professor emeritus Richard Warner at the time.

“There are so many drama faculty who were important to me on so many levels,” Walters said.

In Hollywood

Upon graduating, Walters set out for Hollywood with the goal of becoming an actor. But the audition process was grueling, and she grew tired of feeling like her career was out of her hands. She became a producer for a National Geographic reality show called “Building Wild,” believing maybe that was where her talents lay.

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“That was a very clear wakeup call that no, I needed to make being creative my career,” Walters said. 

Many of her idols were female comedians who got their start in writers’ rooms. Walters decided to follow their lead and write for comedic shows. 

“I look back and I so very clearly was subconsciously working toward this career,” Walters said.

Walters puts on earrings backstage before a performance at UVA

Walters puts on earrings backstage before a performance at UVA as an undergraduate. (Contributed photo)

But she had a love of psychological thrillers, and wanted to balance out the comedy writing she was doing for streaming services like Prime Video. Walters had thought for a while she might like to try writing a book, and that she could explore her interest in mysteries by writing novels as well as TV comedies (now, she says she has “made the switch” and writes crime dramas and thrillers for the screen and the page). She enrolled in a novel writing course at Stanford University and wrote her own thriller novel, though the manuscript was different from “Dearest.”

“Dearest” tells the story of Flora, a new mother who navigates single motherhood while her husband is deployed. Alone on sleepless nights as she cares for her child, Flora’s grasp on reality is slipping when her estranged mother arrives on her doorstep. Flora invites her in – and with her, something evil. The novel is part of a trending genre of “mom-noir,” books that explore more difficult aspects of motherhood like postpartum depression.

“I did experience postpartum depression and anxiety, and while people are talking about it more, I still felt alone,” Walters said. 

She was drawn to stories about women who experienced postpartum psychosis, which served as the inspiration for “Dearest.” She hopes her book helps women have conversations about the difficulties of motherhood as they are experiencing them, when it is most critical.

“Nine times out of 10 in your living experience as a mother, it is the most magical thing in the world. But it’s also really hard,” Walters said.

Media Contact

Alice Berry

University News Associate Office of University Communications