Q&A: Why did Oprah call this UVA professor?

When he picked up the phone, University of Virginia English professor and author Bruce Holsinger expected to hear his publicist’s voice. Instead, he heard the instantly recognizable voice of Oprah Winfrey.

“Your publicist is not calling you. She set you up, Bruce. I’m calling about ‘Culpability,’ and I want to choose it as my summer read for 2025,” Winfrey said in their phone conversation she recorded and posted to Instagram.

Winfrey, one of the most influential literary tastemakers in the world, selected Holsinger’s fifth novel as her latest selection for Oprah’s Book Club.

“Culpability” dives into the tangled moral consequences of artificial intelligence, personal responsibility and corporate ethics.

UVA Today caught up with Holsinger, who specializes in the literature and culture of the medieval world, as he embarked on a cross-country book tour to talk about his novel, his students and his thoughts on how AI is changing literature and education.

Q. What inspired the premise of “Culpability,” and how did artificial intelligence become central to the story?

A. Usually, my novels begin with a premise, a situation, a character. But “Culpability began with the setting: an Airbnb on a cove in the Northern Neck of Virginia, just off the Chesapeake Bay. Our family stayed in the rental – a modest three-bedroom house – for a few days the first summer of the pandemic. Next door was a renovated estate, transformed from a ramshackle horse farm to a glitzy waterfront compound. The juxtaposition stayed in my head for years, long before the AI theme came to mind, as a setting I wanted to explore for a novel.

a copy of ‘Culpability‘ by Bruce Holsinger standing in a window sill

“Culpability” challenges readers to examine the ethical complexities of artificial intelligence. (Photo by Emily Faith Morgan)

Q. The book explores AI through a moral and ethical lens. What questions were you trying to raise about responsibility and blame in an AI-driven world?

A. I’ve been fascinated and repulsed by the propensity of AI to threaten human autonomy. Corporations are building these machines while humans are giving more and more of their everyday lives and decision-making over to their algorithms.

“Culpability” asks us to think carefully about these transformations and consider their implications from a variety of perspectives. One of the main characters, Lorelei Shaw, is a world-leading expert in the field of ethical AI. Readers will encounter brief passages of her book on the subject as they go along. I wanted her to be the conscience of the novel, though, as readers will see, her conscience when it comes to AI is flawed in a number of ways.

Q. Alice, one of your characters, has extended conversations with a chatbot. What went into developing that AI voice, and what do you hope readers will take away from these exchanges?

A. As her father Noah, the novel’s narrator, notes, Alice struggles making and keeping friends – and finally, in Blair, a chatbot she invents through an app, she has a “friend” (and her dad has no clue this friend is an AI-generated bot).

I wanted to examine the uncanny, creepy relationships developing between young people and chatbots, often without their parents’ knowledge. The chats between Alice and Blair add a lot of suspense to the narrative and give the story a good twist or two as we go along.

Discovery and Innovation: Peanut allergy immunotherapy reduces parent worry
Discovery and Innovation: Peanut allergy immunotherapy reduces parent worry

Q. From the autonomous vehicle to the chatbot to the smart house they are staying in, machine learning devices seem to surround your characters. How do you use AI, if at all, in your daily life?

A. While researching the novel, I played around a lot with LLMs (large language models), image generators, and so on. I caught myself using ChatGPT as a search engine a number of times, and for a while, I was trying to keep up with the latest news about machine learning in a variety of domains relevant to the novel: autonomous vehicles, military drones and so on. As Lorelei points out in the novel, though, we’re all now enmeshed in and dependent on AI systems behind many of the technical interfaces shaping our daily lives.

Q. You dedicated the book to your students. Why was that important to you, and what role did they play – directly or indirectly – in shaping this novel?

A. My students have shaped my work and my thoughts for over 30 years. Nearly every time I leave the classroom – whether the lecture hall after a student asks a provocative question or a graduate seminar following a presentation – I find myself mulling over what I learned that day from the curiosity and inventiveness of a student. A book dedication is the least I can do!

Q. What are the biggest changes you see AI making in how we write, read and interpret texts today?

A. Large language models (a more accurate term than AI for Claude, ChatGPT and so on) feed into a more general crisis of distraction, corroding users’ abilities to read texts critically and distill them for themselves and in their own words. I sometimes imagine AI as one big devilish chatbot sitting on humanity’s left shoulder, whispering temptations into its ear.

Q. What surprised you most while researching or writing this novel?

A. I was intrigued and horrified to learn that many AI researchers – the technologists, engineers, programmers and ethicists – will often tell you their “p-doom” number: a number on a scale of 1 to 10 or 1 to 100 that reflects the probability that AI will extinguish humanity (though given the environmental degradation involved in feeding data centers with water and power, the threats of AI and catastrophic climate change go hand in hand).

Q. If “Culpability” had its own AI chatbot based on its themes, what would it say first to a reader logging in?

A. Are you sure you want to read this novel?

Media Contact

Traci Hale

Senior Editor University Communications