Q&A: How did a UVA student magazine shape this alumna’s path to The New Yorker?

Every Friday by midnight, Christina Hara sends The New Yorker’s latest issue to the printer with words in place, layouts locked and pages perfected.

Just four years after graduating from the University of Virginia, the Class of 2021 alumna is an editorial producer at one of journalism’s most prestigious publications.

Her journey with magazine design began at V Magazine, a fashion and culture magazine produced by UVA students since 1999.

Portrait of Christina Hara

Hara sits at her desk in New York, where she has worked with The New Yorker’s editorial production team for more than three years. (Contributed photo)

On Oct. 8, she joined fellow V Magazine alumni Chanel Parks, a 2013 graduate and editorial strategist at Google, and Kate Snyder, Class of 2020 and marketing manager at Loeffler Randall, for a virtual panel hosted by the Career Center. The panel drew dozens of students interested in creative spaces.

UVA Today spoke with Hara about her path to The New Yorker. 

Q. You transferred into UVA as a third-year student after studying business at Indiana University. Why switch to media studies and studio art? 

A. After taking a graphic design class at a community college, I realized creative work was my passion. I found out that I really like layout design and making things that will go into print.

Media studies really interested me because it is a great intersection of culture and humanity. Those classes taught me how to think and analyze and be a smart reader in today’s digital media world, which was really great in shaping my mind.

Q. As a member of the V Magazine staff, you became a co-editor in just one year. What advice would you give to students trying to break into UVA’s creative community?

A. I researched what activities I wanted to do before coming to UVA, and V Magazine really stood out to me. I showed a lot of interest and passion for the magazine. I loved what it did and how much creative freedom we had with it. In my third year, I asked the current editor if I could be an editor for the next year. And luckily, she said, “Yes.”

Q. How did you land your job at The New Yorker?

A. Unlike most of my peers, I did not have a full-time job upon graduating. Many companies only hire when needed. I was determined to find a job in New York, so after graduation, I spent the following months applying for entry-level jobs in the design/creative industry.

Thanks, It's vintage, Shop
Thanks, It's vintage, Shop

At first, I was mainly looking at graphic design jobs and the like; positions where I would be the one creating. However, I soon came to realize the vast array of jobs in the creative industry that were adjacent to the roles I was looking at, ones that may have less of a creative function but are just as important to the overall workflow.

Outdoor night shoot with lights and a checkered backdrop.

Members of V Magazine adjust equipment during a spring 2021 photo shoot in collaboration with CRAVE, a UVA fashion organization. The shoot was part of V Magazine’s spring 2021 issue, during Hara’s final semester at UVA. (Contributed photo)

I saw an opening on the Condé Nast LinkedIn for an editorial production associate at The New Yorker and cold-applied with a cover letter attached. Fortunately for me, my team was looking to bring someone on as soon as possible, so after two rounds of interviews and a production test, I landed my dream job.

Q. What does your day-to-day life look like as an editorial producer of The New Yorker?

A. The focus of my role is to help build the print and digital issues of the magazine. Being a weekly print magazine, the whole week is spent building the issue.

At the very last stage, I’m the one who makes sure that everything looks perfect on page. I ensure that all articles fit and meet our visual standards by reviewing character, word and line spacing, and confirming that all design elements align with our style guide.

Friday night is our deadline and our busiest day, when we send everything off to the printer so that it can get to the delivery trucks and into people’s mailboxes by early the following week. This is when I do a final quality control check of the magazine in its entirety.

Q. What advice do you have for UVA students hoping to break into a creative field?

A. Utilize all your projects and experiences to creatively market yourself, whether that be from a school assignment, internship or personal project, and lean into what interests you. Most of my experiences before my role at The New Yorker were with small companies with less than 20 people or volunteer-run, online indie magazines that aligned with my values. Your work itself speaks louder than what you put on your resume.

I would also recommend finding an entry-level position in a field or company you like, even if it isn’t the exact path you’re looking for, as it’s always a perk to have your foot in the door when you do choose to advance your career.

UVA’s Career Center hosts alumni panels and career events year-round. Students can find the full schedule of events on Handshake.

Media Contacts

Renee Grutzik

University News Associate Office of University Communications