Q&A: How does UVA’s ‘Fuego Eterno’ exhibit explore indigenous sovereignty?

It’s the final few days to catch “Fuego Eterno: Soberanías Visuales (Eternal Fire: Visual Sovereignties),” an art exhibition at the University of Virginia’s Ruffin Hall.

The newly launched Global Spanish Initiative has hosted the exhibition showcasing indigenous artwork from across the Americas and beyond. Featuring artists and scholars from Mexico, the U.S., Guatemala, the Philippines and nine other countries, the exhibit wraps up Friday.

Federico Cuatlacuatl holding several cut flowers in a darkened outside structure lit by a candle.

Federico Cuatlacuatl is an artist born in San Francisco Coapan, Cholula, Puebla, Mexico, and currently based in Virginia. (Photo by David Morales)

Federico Cuatlacuatl, a UVA associate professor of art, leads the exhibition. Through experimental video and multimedia installations, he explores themes of identity, immigration and preserving indigenous cultures. 

UVA Today talked to Cuatlacuatl, the co-founder of the UNDOC+Collective and founder of the Rasquache Artist Residency in Puebla, México, about creating the exhibit and its closing week. 

Q. How did the exhibition come to be?

A. I am the lead organizer, and I invited guest curator Erika Hirugami, a doctoral candidate at (the University of California, Los Angeles) of Mexican and Japanese descent, on board. She is the creative brain in curating the exhibition, the language, the concepts, and the framework for how all of the artists come together into thematic conversations and dialogues.

Thanks, It's vintage, Shop
Thanks, It's vintage, Shop

It came out of the Global Spanish Initiative that launched in April with support of the Dean of Arts and Sciences’ office. I’m co-director, along with professor Samuel Amago, of the Global Spanish Initiative, which is a global discourse about Spanish as a set of systems, histories, experiences, diasporas, displacements and violence in different forms. What you will see in this exhibition is artists coming from different indigenous communities, some diasporic and Afro-descended, to amplify their own experiences through their creative practice from across the continent (South America, the Caribbean, Central America and North America) and its diasporas.

Q. You’re also featured in the exhibition as an artist. Can you tell us about your work and what inspires it?

A. I have two pieces in this exhibition and a third one being commissioned that will be released in November. My work talks a lot about Nahua cosmologies and diasporic experiences crossing the border, and carries this attitude of resistance of defying those borders as a form of agency for the diaspora. 

several artists’ works displayed as part of the exhibition “The Liquid Highway” at the UVA’s Ruffin Gallery

Artists hail from Ayuujk (Mixe), Nahua, Maya-Ch’ol, Ñuu Savi (Mixtec), Otomí, Maya-Kaqchikel, P’urhépecha, Diidxazà, Maya-Tsotsil, Zapotec and other lineages predating Spanish colonialism. (Contributed photo)

Nahua is one of the largest indigenous communities in central Mexico. That’s the cosmology of what used to be the Aztec civilization there. 

Q. The exhibit opened Aug. 29. What has the experience been like so far?

A. It’s been beautiful. We’ve had a lot of class engagements and generated really nice ideas so that this exhibition could go forward and keep unfolding new ways of thinking, new conversations. Really, that’s the whole objective of this, bringing together all of these artists to help us generate new critical questions for ourselves.

Q. You’ve organized programming to celebrate the last week. What do you have planned?

A. On Thursday, we have a symposium at the Special Collections Library with quite a few guest artists and curators in this project. Friday, we have a workshop with Venuca Evanán Vivanco, an artist from Peru, who will be leading this workshop at the Visible Records gallery in town, a beautiful space. Also on Friday, we have a film screening of one of the artists at Visible Records and a closing party that evening in Ruffin Hall with a cumbia DJ, Hellotones, from New York.

Media Contacts

Len Perez

Senior Writer College of Arts & Sciences